m y . c l o u d

I like to see the invisible, the hidden, or the glimpse. The world ‘between’ intrigued me.

What if you asking; what’s next? what’s behind? What if..? And if you know, what then? That is the world behind? The world of ‘the behind’ is so intangible, so impalpable. I have a desire to know the unknown. When there is that glimpse, a flash, it attracted me. It gives me a feeling of the only witness. It is a tender approach of the ‘behind’. It is a poetic entity. Something unattainable which is moving and passing time. It invites you to a more private and non-public world. It invites you unconscious. 

It shows you the intimacy of the other side, the intimacy like touching someone’s skin, unbutton a mans jeans, or in a less erotic way, it shows you another approach and thinking about the behind, as a attraction. There are different apertures that can show and let experience this. There is a kind of movement involved.

Is one of your senses influence the in between?

Vision reveals what the touch already knows.

When you make the hidden visible, what’s happening? Then ‘the in between’ is gone? Or, when you hide something what is visible, can you shape this ‘in between’? Why would you make the hidden visible? Why would you shape ‘the in between’? Would you make some flashes fascinating for other people or is this not the subject and goal? What do you want to do with this theme? What is your intention? Is ‘the in between’ a mediator between two worlds? Or is it a world itself? Can something dim the sharpness of it? Is there a kind of distance you can cross?

Is shadow a ‘in between’, or only showing you that? The space traced by the ear in the darkness becomes a cavity sculpted directly in the interior of the mind.

Is music making a in between? Then time is the instrument? What can be the instrument of the in between? 

The conductor sculpted ‘the in between’, not visible through the eye but he sculpted with his hands the air before him. Hands are the sculptor’s eyes, but they are also organs for though.

We behold, touch, listen, and measure the world with our entire bodily existence, and the experimental world becomes organized and articulated around the center of the body. A sport player understands where the goal is in a way which is lived rather than known. The mind does not inhabit the playing field but the field is inhabited by a ‘knowing’ body. So, the art of reconciliation between ourselves and the world, and this mediation, takes place through the senses.

So, your senses are involved in the recognition of ‘the in between’?

We cannot see the movement of the sun with our naked eyes but there is a method to catch the suns’ path, the method of solargraphy.

How to make the hidden visible?

Is there a way that I can engage, register, choreograph, invent, or in short, design this?

Instead of answering what I asked myself today (a lot for sure) I want to stay a little longer in my wide and extensive theme, my fascinations and all that what is filling my cloud.